If you’ve frequented the fine art or painting section of your local book store, you’ve likely seen one of Mary Whyte’s Books. At least here in the Southern United States her books are a common sight. Watercolor Artist Mary Whyte may not be on the lips of every professional art connoisseur drawing breath, but something tells me that she will be spoken of more and more in years to come (If only by us “real folk.” Sorry art snobs. That probably doesn’t refer to you.) And in those years to come I wonder if we may one day speak of Mary as we now do wildly popular American artists like Andrew Wyeth. You know with that same reverential, wide eyed, understanding nod that makes us feel like we know at least a little something about art. “Oh yeah. that Andrew Wyeth, he’s the best.” But lets not trivialize her work. I have my reasons why I think the air around Mary’s work is rare. I may not be an expert on what makes notable artists notable in the years to come, but it won’t surprise me if Mary ends up as one of them. Who am I kidding, she’s probably half way there already.Read More »
Staring at a blank sheet of paper and wondering what to paint is familiar and frustrating to any artist. So what’s artist’s block really all about?
For starters, I believe there are two types of artist’s block. There is what I’ll call “true” artist’s block, which I believe to be pretty rare, and the second more common version, which is simply “indecisiveness.”
Which One Are You?
True artist’s block could be defined as creative exhaustion. To be in this rare category, you’re probably a professional or practicing, prolific artist who has painted, drawn or designed their keister off and, for what ever reason, has reached a point of being out of creative gas. All of a sudden, no visual idea seems worthy to pursue given the body of work you’ve already done. You just don’t feel inspired with an idea you can use. If you’re a professional, full-time painter, designer or illustrator, you’ve probably actually faced this dilemma. However, for hobbyists or the casual spare-time artist its rarely the case. Why? … Stay with me here.Read More »
Ok, so I hear this sort of confusion frequently, and I admit the term “study” sounds pretty stuffy and academic. It smacks of homework, research and other stinky school tasks many of us prefer not to revisit. However, in art it is very misunderstood.
Practice? Aww, Do I have to?
First off lets address the old joke: a study is any piece of art that failed. Yeah I know, ha, ha, ha! But not so fast. Truth my friends! Yeah, practice really is that simple. Try, fail, try again. I mean seriously, how many pianists have you heard of that can play through a totally new piece of music the first time without a hitch (pros and Mozart-like prodigies notwithstanding). One of my daughters was a college piano major and she would practice a single piece of music repeatedly in preparation for a performance. First few times was for technical mastery, that is, playing all the correct notes. The more she practiced a piece the more she concentrated on subtleties, changes in volume, tempo and style nuances that turned a collection of notes on a page into a beautiful, personal rendition.Read More »
Spring has fully sprung and with it comes a springboard of festival and art show opportunities right on through Fall. Its a great way to get out and get in some walking, but also a boon for artistic inspiration.
Here are some tips to take full advantage of the opportunities.
All Genres are Game
It doesn’t matter that all you do is draw, or that you draw or paint a particular subject or in a specific medium. If you are looking only for the same genre and medium you prefer, you’re missing a lot. There is motivation to be had in every artistic genre and medium. I’ve been motivated to paint by looking at ceramics and even jewelry. And if the work itself doesn’t provide that inspiration, sometimes the artist’s dedication and unique approach to their craft will.Read More »
If you saw the video in this post, my remarks beg a simple question – “Did I fail?” Well, for me the answer is yes and no. Many who commented on YouTube were gracious and said they thought the building sketch turned out great. And while I appreciate that, there is a deeper teaching moment here. If you’ve watched my other videos, you’ve heard me say it before. “Embrace failure as a teacher.”Read More »
Its always been my goal (and dream) to eventually become a full-time YouTube creator for The Mind of Watercolor. Patreon is just one more avenue by which this may become a reality. I love how supportive all my viewers have been through their avid viewing and encouraging comments and its been even more humbling to see how many of you have asked how you can contribute further to my efforts. Patreon is a way in which I can now give my viewers that option but also a way I can be more interactive in the process.
Depending on the level of support there are many benefits that allow me to connect and share with you my viewers in new ways:
- Get all the MoWC news first before anyone else
- Higher priority comment/reply activity between me and my patrons on every post
- Early preview posts of upcoming MoWC episodes
- Exclusive tip and techniques posts
- Exclusive video content
- Photo reference and line art for practice
The Minder Patron community, I hope, will become a special community of participants who not only share my passion for watercolor painting but also want to grow with me and share a special place in their heart for this channel.
Thanks for considering your participation and no matter how you support The Mind of Watercolor, you are appreciated.
A blank sheet of watercolor paper waiting for paint can be an intimidating thing. In this video I suggest 5 steps to help get you over the anxiety hump and get those first strokes of paint down on the page with less stress.
The Mind of Watercolor YouTube Channel has launched! Go check it out. I hope to create a community of watercolor enthusiasts where we learn more about this exciting and easy to use medium which also has a mind of its own and reputation for being unforgiving. I plan to share tips and techniques, review products, engage in challenges and perhaps have some contests and giveaways. It’ll be a blast.
I’m a bit of a photo bug and I’ve also directed quite a few professional photo shoots in my design career, so I can’t help thinking about what it would be like to be a combat photographer. Imagine being given this assignment: “Hey bud, wanna stroll along with the guys going to Omaha beach and snap a few pics for posterity’s sake? Americans would love it, whadya say?” Ok, maybe the D-Day assignment wasn’t given exactly that way, but even so, after clearing the lump in my throat, I would probably ask if I could just hang around the ship and get some shots of the guys coming and going. Not Frank Capa. He was not only up for the assignment, he requested going with the first wave to hit the beach. I can hear the other GIs joking, “hey Frank, don’t ya know that camera shoots film not bullets.” He knew! He took 106 photos but due to a lab snafu only 11 survived; the only photographic record we have of that treacherous assault. Amazing! 10 of the 11 appeared in Life magazine. This ethereal shot has always been one of my favorites.
The explosion in new, and sometimes awesomely cool, paper-crafting supplies got me to thinking recently.
Manufacturers have apparently responded to a huge rise in interest with a steady stream of “cool stuff” for the paper-crafting big three – card making, scrapbooking and journaling; including new markers, inks, dyes, powders, mists, etc., etc. Any self respecting fine art painter (an area, I might add, where new things don’t come a long nearly as often) would be crazy not to occasionally cast a sideways glance at the craft market and say, “hmm, wonder what I could do with that in my painting?” Multimedia artists (some of which are also journalers) especially would seem to benefit. But wait, not so fast… or maybe I should say, not so LIGHT fast.
Chasing the Fugitive
Scrapbook and journaling suppliers in particular seem to have responded well to the archival needs involved. Acid free papers, adhesives and mediums abound but there is still a big gulf where fugitive colors are concerned. Paper crafters have the luxury of not needing to worry about this much. Exhibiting art and prolonged light exposure is likely low on their “caution” priority list. But with so many new alluring dye-based mediums surfacing, any artist hoping to hang or exhibit work needs to be very careful of the mediums they incorporate. Dye-base mediums are the absolute worst in terms of fugitive colors. Pigmented mediums in the craft market exist but there aren’t nearly so many as you might think. Many illustrators fluent in using Copic or Prismacolor markers are not new to the concern over dye-based mediums, even experienced studio and gallery artists may tell you first hand, its no fun to see your precious artwork vanish before your very eyes after hanging on a well-lit wall for a few years.
Without doing a ton of research (for which I have no time), I thought maybe it better to just point you to some good reads where the work has already been done, by people who know where of they speak. Yeah, I’m just lazy that way. So, if your art will ever be displayed, read on and think carefully (think pigmented and archival) before you go including that cool new set of watercolor markers, powders or sprays in your next painting.