Loose vs. Tight, Aren’t We Missing the Point?

imageThe Devil is in the Intangibles

There is a larger issue artists of all stripes should spend more time contemplating. Loose and impressionistic, like tight and controlled handling of any art subject, involves numerous choices in the process, at the beginning and all along the way. In and of themselves, loose painting or tightly rendered detail are not artistic, regardless of what art snobs might say. Its how deftly you wield those styles that matter, right? Right! Sound a little obvious to you? Well it should, but its odd how little I see that aspect discussed. Loose painting is not more artistic simply because its loose. Read More »

Strathmore Artist Workshops

If you follow my YouTube channel, you may have noticed that I’ve been uploading Strathmore Workshop videos over the last couple weeks. These were 4 videos done for their web site last spring (2016) and aired during each week of May. This year, as per agreement with Strathmore, the video rights revert back to me. Read More »

Spontaneous Painting Workshop

Ok, so I just recently posted on Skillshare an extended version of my latest spontaneous painting with additional commentary. All said, its about an hour long and takes you with me through the process of how I approach spontaneous landscape painting in watercolor. Near the end of this post you’ll find more about this workshop.Read More »

Art Critiques and Getting the Most from Input.

We all want to improve as artists don’t we? Growing as an artist is the key to more enjoyment and satisfaction as we tread this adventurous but sometimes frustrating path. Practice is a given, but what happens when we get stuck and don’t know how to improve. The brave artist seeks appropriate, constructive input and critique. Its a tougher challenge, though, than we sometimes realize. Read More »

Veteran’s Day – Honoring the Decision

Veterans have served for a variety of reasons. For Americans, the reasons usually include the protection or our great nation, propagation of freedom and the dismantling of tyranny. While not all wars have been popular, the men and women who have served should all be revered for one simple reason – the decision to lay down their life, should they be called upon, for something greater than themselves. They did not serve a politician or a government but We the People, and an idea that this great Republic and what it stands for should continue for the good of all peoples.Read More »

Gear Obsession Intervention

funky-design-icon_GJpDk6Uu_LStop it alright! Just stop. The madness and the addiction has to end. Ok, no it doesn’t actually. Not completely anyway. I’m addicted too and as addictions go I could do a lot worse, but I wanted to sound semi serious for a split second.

What in the Sam Hill am I talking about?! Our beloved art gear! We’re all obsessed aren’t we? Yeeesss, don’t deny it. I can see the 500 questions on the tip of your tongue right now. What brush is that? What brand? What size? What paint is that? What paper is that? Where can I buy it? What hand soap did you use before you started?

No Mo FOMO

I get it. Especially you beginners new to watercolor (or painting in general). You need info, not platitudes and fortune cooking sayings. BUT! in your journey to discover more about watercolor, or any medium, don’t let gear obsession take over your developmental fears. There’s actually a clinical term for this you know, its called FOMO (fear of missing out) and it takes many forms. If that fear takes over, you start missing out on the real skill development fun. I am the first to admit, I love to obsess over gear sometimes, but more because I love to get new stuff and try it out. However, if you let gear obsession feed the lie that you can’t paint really well until you have the exact, right stuff you’re missing out already. Thats right, you’re already at the point you feared. Moving forward in your artistic development is NOT gear related as sure as I’m sitting here on my plump little behind.

Obsess Over This!

Find out just enough about the materials you need to get “decent” brushes, paper and paint and then get to painting. Go ahead and obsess over gear if its for curiosity and experimentation’s sake and you have the money to do so, but not because of FOMO. Far better to obsess over mastering that next cool technique or skill. Master painters can take the materials you have and think are crap and paint you an unbelievable painting, and if they used their preferred gear for the same painting, I doubt you could tell the difference. They can tell because they have the experience to notice subtle differences, most of which play to their preferences and not the results.

Understand me well. I’m not saying gear makes no difference at all, but it makes far less difference than you think. The question I should get but rarely do is, “why are you using that brush, paint or paper.” A far more instructive question than, “what is that?”

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