The Devil is in the Intangibles
There is a larger issue artists of all stripes should spend more time contemplating. Loose and impressionistic, like tight and controlled handling of any art subject, involves numerous choices in the process, at the beginning and all along the way. In and of themselves, loose painting or tightly rendered detail are not artistic, regardless of what art snobs might say. Its how deftly you wield those styles that matter, right? Right! Sound a little obvious to you? Well it should, but its odd how little I see that aspect discussed. Loose painting is not more artistic simply because its loose. Read More »
Let me start by fully acknowledging the debt of gratitude the recreational art world owes Mr. “Happy Trees” Bob Ross. He got people painting who never would have dared pick up a brush on the best of days. Why? Because he made art technique accessible. He deciphered the complex with “light-bulb” art moments and gave aspiring painters…wait for it…a formula. Aah yes! The notorious painting “formula”, heralded by hobby “fun” artists as genius and scorned by the high brow “fine art” snobs as cliché and misleading.Read More »
Well, I’ve gone and made myself a workshop. Aside from the Strathmore workshops I did earlier in the spring this is my first, and my first paid workshop. Its not long, about 53 minutes total running time for all segments combined. I hope you’ll go and check it out. (For Patreon supporters, this content has also been shared there for everyone at the $5 level or above.)
Here is my Skillshare workshop link and first time subscribers using this link to join will get their first 3 months for only .99 cents.
In short, its reasonably priced and easily accessible for the participant plus user friendly for me, the teacher, making it a good workshop starting point. It doesn’t require that I design lengthy, involved classes, and likewise does not present you with a major time commitment for learning. Its right for where I currently am in this process of sharing my watercolor passion in extended format. This platform was recommended to me by several people and it also seemed a good fit for my YouTube audience who’ve been asking for paid extended content but don’t want to shell out a ton in expensive workshop fees. It also provides me the added benefit of being able to add class projects and allows students to share their projects and start up class discussions. The value is definitely there for my followers since you can also access tons of other instructional content, possibly not even related to art. Simply specify your instructional preferences and you’re presented with tons of learning options, all included for the same monthly price.
Patreon Supporters Please Note
For the foreseeable future this content will usually be duplicated on Patreon. Or I’ll provide free access to the Skillshare workshop. This access may vary depending on support level, so I’m not sure how that will play out exactly yet, but if you are a Patreon supporter and not interested in joining Skillshare for other content, wait a bit to see what I post as part of your rewards before also signing on to Skillshare.
Thanks for your support everyone and Happy Painting!
Staring at a blank sheet of paper and wondering what to paint is familiar and frustrating to any artist. So what’s artist’s block really all about?
For starters, I believe there are two types of artist’s block. There is what I’ll call “true” artist’s block, which I believe to be pretty rare, and the second more common version, which is simply “indecisiveness.”
Which One Are You?
True artist’s block could be defined as creative exhaustion. To be in this rare category, you’re probably a professional or practicing, prolific artist who has painted, drawn or designed their keister off and, for what ever reason, has reached a point of being out of creative gas. Read More »