There is a larger issue artists of all stripes should spend more time contemplating. Loose and impressionistic, like tight and controlled handling of any art subject, involves numerous choices in the process, at the beginning and all along the way. In and of themselves, loose painting or tightly rendered detail are not artistic, regardless of what art snobs might say. Its how deftly you wield those styles that matter, right? Right! Sound a little obvious to you? Well it should, but its odd how little I see that aspect discussed. Loose painting is not more artistic simply because its loose. Its artistic because the loose passages were employed skillfully, maximizing the medium’s strengths and showcasing the beauty of color combinations, flow, center of interest, composition and a host of other elements that came together in a dynamic and pleasing way, albeit loose way. The same goes for tightly controlled, realistic rendering and detail. A piece is not strong because it is accurately rendered to the minutest detail. All the detail in the world, all the realism in the world can’t make a piece of art more artistic. Its the intangibles that matter: design, composition, light, value, leading eye elements or any of the other elements that also make a loose painting great.
Let me start by fully acknowledging the debt of gratitude the recreational art world owes Mr. “Happy Trees” Bob Ross. He got people painting who never would have dared pick up a brush on the best of days. Why? Because he made art technique accessible. He deciphered the complex with “light-bulb” art moments and gave aspiring painters…wait for it…a formula. Aah yes! The notorious painting “formula”, heralded by hobby “fun” artists as genius and scorned by the high brow “fine art” snobs as cliché and misleading.Read More »
Well, I’ve gone and made myself a workshop. Aside from the Strathmore workshops I did earlier in the spring this is my first, and my first paid workshop. Its not long, about 53 minutes total running time for all segments combined. I hope you’ll go and check it out. (For Patreon supporters, this content has also been shared there for everyone at the $5 level or above.)
Here is my Skillshare workshop link and first time subscribers using this link to join will get their first 3 months for only .99 cents.
Staring at a blank sheet of paper and wondering what to paint is familiar and frustrating to any artist. So what’s artist’s block really all about?
For starters, I believe there are two types of artist’s block. There is what I’ll call “true” artist’s block, which I believe to be pretty rare, and the second more common version, which is simply “indecisiveness.”
Which One Are You?
True artist’s block could be defined as creative exhaustion. To be in this rare category, you’re probably a professional or practicing, prolific artist who has painted, drawn or designed their keister off and, for what ever reason, has reached a point of being out of creative gas. All of a sudden, no visual idea seems worthy to pursue given the body of work you’ve already done. You just don’t feel inspired with an idea you can use. If you’re a professional, full-time painter, designer or illustrator, you’ve probably actually faced this dilemma. However, for hobbyists or the casual spare-time artist its rarely the case. Why? … Stay with me here.